Arts Essays Pablo Picasso

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Arts Essays Pablo Picasso

Pablo Picasso His Influence on Art

The influence of Pablo Picasso on art can be measured via the enduring fame of the man he remains arguably the most famous artist since Michelangelo more celebrated than Duschamp Monet or Cezanne He was a legend during his own lifetime the celebrated Salvador Dal citing Picasso as his hero and to be taken seriously by him Picasso a sort of right of passage

His posthumous reputation is built upon the solid foundation of innovative art coupled with revolutionary expressionism that many commentators have seen as constituting the very genesis of modern art For many Picasso is none other than the artist who carried painting into the twentieth century the personification of the advent of a new age in art felt in the same way as it was in industry economy and ideology

His private life and professional life merged more than most famous artists Bar for a small period towards the end of his life Picasso was free from the scandal that accompanied the legends of Matisse Van Gogh or Manet for instance Art was always his first mistress although more than most other artists Picasso drew from the experiences which touched him in his personal life to inspire his creative output

Born in Spain Picasso was from the outset noticed as a child prodigy by his art teacher father Indeed the Museo de Picasso in Barcelona is dedicated almost exclusively to his very early paintings and sculptures By the time he was a teenager Picasso began to frequent the more Bohemian outlets of Barcelona where his inquisition acted like a sponge for the diversity of influences all around him Inevitably Picasso moved briefly to the capital of art Paris where he was further exposed to the rich variety of expressions prevalent at the findesiecle One can see these formative years as essential in the development of the discernibly different styles that Picasso adopted in his adult life

First he experimented with realism and caricature heavily influenced by his time in Paris Commentators have since labelled his next two phases as the Blue Period and the Rose Period respectively During the Blue Period 19011904 Picasso relied heavily on a blue palette for his paintings where he focused excessively on the traditional outsiders of society to tell his story beggars prostitutes and vagrants make up the bulk of the actors in this phase of his life In contrast the Rose Period 19041905 used as its focal point less wretched members of society though he still accented the ridiculous clowns trapeze artists and other circus personnel tended to constitute the majority of his work during this epoch Apart from bequeathing such classics as the Blue Periods La Vie 1903 and the Rose Periods Family of Saltimbanques 1905 the work of Picasso during the very early years of the twentieth century also highlights the tendencies of an artist who is unwilling to be pigeonholed as an exponent of only one type of art His greatness came from his ability to transcend certain artistic genres without ever losing any credibility or acumen

Next Picasso travelled to Holland where he was greatly influenced by the classical paintings of Greek mythology He returned to Paris where he was intrigued and challenged by the groundbreaking Fauvist work of Matisse which used familiarly grotesque themes to Picassos Blue Period The caricaturelike nature of Matisses work inspired Picasso to experiment with ancient primitive art especially that which so influenced the Iberian culture from where he hailed With Spain being positioned so close to Africa Picasso naturally appropriated African art in the development of modern styles and his primitive experimentation ought to be seen as the key development in his embracement of Cubism the style for which he remains most noted internationally today Picassos incorporation of African influences into his own sculptures constituted the first time when he consciously used his art as a vehicle to voice his concerns over the state of the

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